When You See Me Again It Wont Be Me
DOI:
https://doi.org/10.6092/issn.2421-454X/8362Keywords:
Twin Peaks, audiovisuality, storytelling, TV series, David LynchAbstract
On its debut in 1990, David Lynch and Mark Frost'southward Idiot box serial Twin Peaks aired during the "multichannel era" on the broadcasting channel ABC, one of the iii free-to-air United states TV networks at the time. ABC imposed major plot developments, e.g. the revelation of Laura Palmer's murderer early in season 2, which the ii creators intended to keep the mystery unsolved for a much longer time. For the revival of Twin Peaks (2017, during the digital era), distributed past Starting time, Lynch and Frost created a more complex audiovisual product. The Twin Peaks revival was realized with far more authorial liberty, due to the indisputable celebrity of Lynch and the possibility—fostered by the subscription-based premium cable platform Showtime—of aiming at a niche audience, a possibility that George Gilder foresaw in 1990. As a result, not only Twin Peaks – The Return'southward plot is much more complex than in the first two seasons, just it also proves how goggle box in the digital era can lead to the creation of audiovisual narratives that fully exploit every audiovisual semiotic level.References
Brooks, Peter (1984). Reading for the Plot. Design and Intention in Narrative. Cambridge (MA) and London: Harvard University Press.
Eco, Umberto (2016). Lector in fabula. La cooperazione interpretativa nei testi narrativi. Milano: Bompiani.
Eliot, T.S. (1958). Selected Prose, edited by J. Hayward. Harmondsworth: Penguin.
Entertainment Weekly, 6 April 1990.
Frost, Marking (2016). The Undercover History of Twin Peaks. New York: Flatiron Books.
—— (2017). The Terminal Dossier. New York: Flatiron Books.
Gilder, George (1994). Life Afterwards Idiot box. The Coming Transformation of Media and American Life, revised edition. New York and London: W.Due west. Norton and Company.
Hague, Angela (1995). "Space Games: The Derationalization of detection in Twin Peaks." In Full of Secrets. Critical Approaches to Twin Peaks, edited by David Lavery, 130—43. Detroit: Wayne Land University Press.
Jenkins, Henry (1995). "Practise Y'all Enjoy Making the Rest of Us Feel Stupid?: alt.goggle box.twinpeaks, the Trickster Writer, and Viewer Mastery." In Total of Secrets edited by David Lavery, 51—69.
Jensen, Jeff (2017). "This Week'south Cover: Exclusive details on the Twin Peaks revival". Entertainment Weekly, March 23. www.ew.com/tv/2017/03/23/twin-peaks-revival-get-go-cover/ (final accessed 28-10-18).
Johnson, Steven (2005). Everything Bad is Salubrious. London: Riverhead Books.
Kalinak, Kathryn (1995) "'Disturbing the Guests with This Racket': Music and Twin Peaks." In Full of Secrets, edited past David Lavery, 82—92.
Kermode, Frank (1967). The Sense of an Ending. Studies in the Theory of Fiction. Oxford: Oxford Academy Press.
Landau, Neil (2017). Netflix e le altre. La rivoluzione delle Telly digitali. Roma: Dino Audino.
Lavery, David (1995), "Introduction: Twin Peaks' Interpretive Community." In Total of Secrets, edited by David Lavery, 1—21.
Lotz, Amanda (2007). The Television Will Be Revolutionized. New York: New York University Press.
Lynch, Jennifer (2011). The Cloak-and-dagger Diary of Laura Palmer, with a foreword past Twin Peaks cocreators Marking Frost and David Lynch. New York et al.: Gallery Books.
Lynch, David, and Kristine McKenna (2018). Room to Dream. New York: Random House. East-pub.
Mittell, Jason (2015). Complex TV. The Poetics of Contemporary Tv set Storytelling. New York and London: New York University Printing.
Ong, Walter (2002). Orality and Literacy: The Technologizing of the Word, 2nd edition. New York: Routledge.
Postman, Neil (2006), Amusing Ourselves to Expiry. Public Discourse in the Age of Evidence Concern. New York: Penguin.
Rodman, Howard A. (1989). "The Series That Volition Change TV", Connoisseur, September, 139-44.
Rodley, Chris (1998) (edited by). Lynch secondo Lynch, translated in Italian by Marco Borroni. Milano: Baldini & Castoldi.
Rossini, Gianluigi (2016). Le serie Tv set. Bologna: il Mulino.
Time (1990), 1 Oct.
Wallace, David Foster (1993). "E Unibus Pluram: Television and U.S. Fiction.". Review of Contemporary Fiction thirteen(2):151-94.
—— (1996). "David Lynch Keeps His Head." Premiere, September. http://www.lynchnet.com/lh/lhpremiere.html (terminal accessed 28-06-18).
Wells, David (1991), The Penguin Dictionary of Curious and Interesting Geometry. London: Penguin.
Weisstein, Eric West., "Möbius Strip". MathWorld – A Wolfram Spider web Resource, www.mathworld.wolfram.com/MoebiusStrip.html (last accessed 26-06-18).
How to Cite
Susca, C. (2018). "When you run into me again, it won't be me". Twin Peaks from the Multichannel Era to the Digital Era. Serial - International Journal of Idiot box Series Narratives, 4(2), 103–110. https://doi.org/10.6092/issn.2421-454X/8362
Issue
Section
Narratives / Aesthetics / Criticism
gonzaleznotneinme.blogspot.com
Source: https://series.unibo.it/article/view/8362
0 Response to "When You See Me Again It Wont Be Me"
Post a Comment